Miss Major: Why she kicks ass
- She is a black, formerly incarcerated, woman and transgender elder, who was at the Stonewall uprisings in ’69, and became politicized in the aftermath at Attica. She has been an activist and advocate in her community for over forty years, mentoring and empowering many of today’s transgender leaders to stand tall, step into their own power, and defend their human rights, from coast to coast.
- Currently, Miss Major is the Executive Director of the TGI Justice Project (TGIJP) , whose mission is to challenge and end the human rights abuses committed against transgender, gender variant/genderqueer, and intersex (TGI) people in California prisons and beyond.
- In 2008, she testified at to the United Nations in Geneva, Switzerland about the abuses of transgender women of color in and out of the Prison Industrial Complex in the US.
For those so inclined to help out an elder in our community who has given so much to us, she has a giving circle to help support her. Love you Miss Major.
NYC in the 1980s.
”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”
Purchase here: http://www.jamelshabazz.com/monographs.html
change.org just sent me a petition to demand that the US name a warship after Harvey Milk and if that isn’t the most succinct example of the way queer advocacy has been coopted by neoliberalism and the military-industrial complex, bless me I don’t know what is.
Native Filmmakers Shoot Dystopian Drama on Pine Ridge Reservation
It’s 2085 on Pine Ridge. The reservation has been quarantined and borders guarded by the military for 30 years. Sparked by the ramifications of the Keystone XL pipeline, the war between the government and the insurgency lasted for eight years and resulted in the dystopian setting that provides the background for "The People," the inaugural project from Indigene Studios.
Based out of Pine Ridge Indian Reservation, Indigene Studios was co-founded in April 2014 by Willi White, Oglala Lakota, and Angel White Eyes, Oglala Lakota and Ojibwa.
“This is our way of giving back to our communities but also expressing ourselves,” White said. “Non-Natives always come here and sell the same narrative to the mainstream media. We want to change that narrative and give a voice to the stories that are already here.”
Give. It. To. Me.